Qingyi Ren (they/them) is a non-binary digital artist, queer feminist technoscience researcher at Critical Media Lab Basel, and Lecturer in MA Interaction Design at UAL London College of Communication. Their work critically engages with the material-discursive entanglements of technology, gender, and power within Science and Technology Studies (STS).
Qingyi’s practice combines speculative design, algorithmic critique, and feminist epistemology to interrogate machine learning’s colonial and cisheteronormative infrastructures. Through computational art, pedagogical interventions, and STS research, they expose how technical systems reproduce violence—and imagine queerer, embodied alternatives.
Their PhD project “Queerness as Gap” is funded by The Swiss National Science Foundation (SNSF) from 2024 to 2028.
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Edtion
2023
Artist:
Jisoo Lim, Qingyi Ren
"Editon" is an immersive exploration of AI-generated art that exposes the undercurrents of stereotypes within technology. This interactive installation takes viewers through an iterative process: from text to image and back, shedding light on the inadvertent biases AI can amplify.
The project begins with raw textual prompts, showcasing the artist's descriptions that sparked the AI's creativity. As visitors envision the potential visuals, they're led to AI-generated images – a fusion of language and imagery. Yet, the true revelation comes when the AI is tasked again, using its own images to re-imagine the original descriptions. This cycle uncovers the complexities of bias woven into AI's learning. Through subtle alterations, visitors witness how stereotypes embedded in the AI's training data resurface, magnifying potential harm. "Editon" prompts discussions about ethical AI development, inviting viewers to reflect on their role in shaping technology's impact on society.